I mostly make images. Sometimes these are resolved as paintings, but at present I work mainly with printmaking, both relief and intaglio. I particularly enjoy making images through printmaking processes, where the characteristics of the process itself help to direct the progress and final outcome of the image.

Occasionally, and increasingly, the boundaries between painting, drawing and printmaking become blurred. Every image is an experiment in the long term process of trying to find out how to make images. 

My work is most often concerned with my experience of place, but a love of mark-making sometimes takes this towards abstraction.

Drawing on site is a regular part of my practice.

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